Concepts for Film Poster

I have taken a look at a couple of film posters in order to give me ideas for the poster i am about to create. These are a few of the ones i felt that were good.

I like this concept because it involves the silhoette of a character which implies mystery. Also there are lots of other photographs used which goes really well with the plot of the film because it represents different view points. The blcak and white style adds to the whole effect of not having the full picture, however the bold and coloured title works well.

I think that the film noir poster is good because it uses the key convetional techniques. There is a dark feel about it. There is a cantered angle. There are bright lights and a femme fatal. All these things come together to create film noir.


The film poster for 'Colateral' i think uses some film noir aswell because of the shadows and you cant see his face. There is a gun and bright lights.

My Film Noir

Typical Film Noir Photos

Film Noir

Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood's classic film noir period is generally regarded as stretching from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression.
The term film noir (French for "black film"),[1] first applied to Hollywood movies by French critic Nino Frank in 1946, was unknown to most American film industry professionals of the classic era.[2] Cinema historians and critics defined the noir canon in retrospect; before the notion was widely adopted in the 1970s, many of the classic film noirs were referred to as melodramas.[a] The question of whether film noir qualifies as a distinct genre is a matter of ongoing debate among scholars.
Film noirs encompass a range of plots—the central figure may be a private eye (The Big Sleep), a plainclothes policeman (The Big Heat), an aging boxer (The Set-Up), a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime (Gun Crazy), or simply a victim of circumstance (D.O.A.). Though the noir mode was originally identified among American productions, films now customarily described as noir have been made around the world. From the 1960s onward, many pictures have come out that share attributes with film noirs of the classic period, often treating noir conventions in a self-reflexive manner. Such latter-day works in a noir mode are often referred to as neo-noirs. The tropes of film noir have inspired parody since the mid-1940s.

German Expressionism

German Expressionism refers to a number of related creative movements beginning in Germany before the First World War that reached a peak in Berlin, during the 1920s. These developments in Germany were part of a larger Expressionist movement in north and central European culture. This article deals with the cinematic part of that movement. For the German movement including German Expressionism see the article Expressionism. For Theatre see Expressionist theatre. For Architecture see Expressionist architecture. For music see Expressionism (music). For dance see Expressionist dance.

The first Expressionist films, The Student of Prague,[1] The Cabinet of Dr. Caligari (1920), The Golem[1] (1920), Destiny (1921), Nosferatu[1] (1922), Phantom (1922), Schatten (1923), and The Last Laugh (1924), were highly symbolic and stylized.